Critics opinions:
I was surprised how awesome this movie is. I read many great reviewsabout it but I thought it would just be for fanboys. Well, the greatreviews sucked me into this film. The moment the Universal graphic waschanged into video game style, I knew I would be in for a treat.
The plot is very simple. It's about one guy who has to defeat his newgirlfriends seven exes in order to successfully date her.
The acting is not bad actually. I don't know much about Michael Ceraonly previously seeing him in Juno, but he was pretty good. Hisroommate portrayed by Kieran Culkin gave me many laughs. Mary ElizabethWinstead looks cute here.
This is the perfect movie for everyone to see. This is mostly a dramamovie with hardcore action mixed in. I hope this movie gets nominatedfor an Oscar or two which I doubt. It should have done better at thebox office too. Anyway, I really enjoyed this film. I rate this film9/10.
Just saw this on DVD. It isn't the type of movie that I want to see onthe BIG screen. The big screen to me is made for big block busterspecial effects movies. For movies of a more personal rom-com naturethat could be really good, bland or stupid I prefer a smaller pricetag. I do have to say that of I saw this in the theater, I would nothave been disappointed and consider my money well spent. This movie isa creative imaginative out there kind of movie and it really hit me onmost cylinders. Being that it is off-beat, not all people are going toappreciate it. I found it very funny and it was done in a comic bookfashion that took a minute to get with the program. The dialogue wasinteresting and the plot unfolded well. The actors helped the movie inthat they had the ability to make believe they were serious, even ifthe whole movie was not serious. It is a key ingredient to movies likethese. There was only one that over played their part and that wasG-man. I have only one issue with the movie and that is the ending.Afterall that it would seem Scott would be a bit more assured ofhimself.
"Scott Pilgrim vs the World" is the most visually stunning andelaborate film taken from the pages of a graphic novel since"Watchmen." Actually, it's probably the most visually stunning film,period, since "Watchmen." And even more so, it is a prime example ofcinema's ability to reconfigure familiar tropes (in this case, theRomantic Comedy run through the John Hughes/Diablo Cody hipster-slangscript machine) into a finished whole that transcends nearly allcrippling convention. Like Hughes and Cody, the language of "ScottPilgrim" is distinctive, pop-culture savvy, and with a unique heartunder its glossy, showy surface. Who knew that Edgar Wright, thepromising director of such quaint-by-comparison genre homages as "Shaunof the Dead" and "Hot Fuzz" had the capability to wield extravagantdigital effects (with more dexterity than most high-budget filmmakers)in a film that sets a new precedent for hip romantic comedies? ScottPilgrim (perpetual adolescent Michael Cera, typecast to his advantagehere), the bass player in a struggling indie band, is getting over hislast girlfriend by dating an Asian high-schooler; when he notices theneon bob of a steampunk rollerblader (the wonderfully deadpan MaryElizabeth Winstead) one day, he becomes fixated on winning her over.Little does Scott suspect that this enticing babe has 7 ex-boyfriendshe must lay to waste in order to claim her hand (and thus proving thatchivalry is not dead). The film's setup takes some adjustment (with anemphasis on superimposed factoids about characters, comic-book soundeffects, and storyboard panels laying out certain plot details), but bythe time Scott is thrust into his first battle (not ironically at hisband's first gig), Wright's approach establishes itself as something tobe reckoned with -- these guys don't fight with traditional fisticuffs;they fight with the impossibly slick maneuvers of joystick-controlledvideo game Spartans. While it may sound eye-rolling in print, thechoreography is smoothly rendered and edited with a precision thatkeeps us firmly rooted in the action; and better yet, Wright finds newways to tweak and spin this fresh, candy-colored technique over theremainder of the film, so that it never gets tedious. By its close,"Scott Pilgrim" has given us an incendiary tale of romance andintrigue, never sacrificing character or story for the sake of merevisual dazzle. It surprises me to say, but I think it's the best movieof 2010.
Sometimes i cant believe how much people forget to have their ownopinions. Aren t we tired with people pretending to be nerds justbecause its become the new "cool"? seriously, this movie seems writtenby the knives character, some imbecile americanized ,"fake rock" bandgroupie. The music is awful, the jokes are generally too pretentious tobe funny, and the movie is just plain ugly,feels like watching somecrazy frog advertising thats an hour and a half long!! finally thecharacters are annoying and shallow, and the unreal artificial sidethat might work in a comic makes the movie just boring. If you can justcome back to life whenever you want, who cares if you die or fight orwhatever? An irritating waste of time!
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